{"id":3,"date":"2026-10-03T23:34:27","date_gmt":"2026-10-03T22:34:27","guid":{"rendered":"http:\/\/www.equinoxstudios.co.uk\/?page_id=3"},"modified":"2026-10-03T23:34:27","modified_gmt":"2026-10-03T22:34:27","slug":"home","status":"publish","type":"page","link":"https:\/\/www.equinoxstudios.co.uk\/","title":{"rendered":"Great Gigs Begin With Great Sound"},"content":{"rendered":"
\"Passionate
Passionate about the music<\/figcaption><\/figure>\n

Performers are passionate<\/strong> about the music they make and Equinoxstudios is passionate about that too. Capturing and communicating that passion to every single person in a venue is what quality sound engineering<\/strong> is all about.<\/p>\n

\"Different
Different instruments have different needs<\/figcaption><\/figure>\n

Understanding<\/strong> the best way to capture the sound of a specific instrument – knowing the right microphone or pickup to use and the ‘sweet-spot’ to place it in – is fundamental to the audience hearing the music the way the musician intended.<\/p>\n

\"Listening
Listening to musicians<\/figcaption><\/figure>\n

Specific tailoring of monitor mixes to the needs of musicians creates confident performances. Listening<\/strong> to musicians and appreciating<\/strong> the particular sound requirements that they might have on stage creates an assuring performance environment that allows them to do what they do best.<\/p>\n

\"Working
Working closely with the performance<\/figcaption><\/figure>\n

Delivering dynamic performances<\/strong> demands dynamic mixing<\/strong>. Reading the emotion of a track and complimenting the dialogue between individual musicians and their audience helps to create those heart-stopping, mind-blowing and soul-touching experiences that mark the unforgettable gigs that have changed our lives.<\/p>\n

Originally from an Electronic Design Engineering background, Edward Clarendon<\/strong>\u00a0is\u00a0is one half of the original design team behind the world-famous “Session<\/strong>” range of guitar amplifiers and has designed custom electronic circuitry incorporated into everything from pro-audio mixing desk pre-amplifiers through to high-power professional stage amplification. He has designed, built and ran static and mobile recording facilities including a notable 24-track recording studio facility in the Hampshire countryside.<\/p>\n

\"BMF1986\"
Session Exhibition Stand, British Music Fair 1986<\/figcaption><\/figure>
\n
\"Session
Edward Clarendon 1986<\/figcaption><\/figure><\/p>\n

If you would like Equinoxstudios<\/strong> to engineer the sound at your next event, or simply want advice on how to get the best sound out of your instrument in live performance, please ask away in the form below. Note also that we hate spam!<\/strong> and will never<\/strong> give your contact details to anyone else.<\/p>\n

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